Tibbett, Lawrence (Bariton) - The Complete Victor Recordings & Selected Broadcasts - "Tibbett recorded exclusively for RCA Victor between 1925 and 1940, making over one hundred sides. Marston Records is pleased to present the complete Victor recordings of Tibbett for the first time. In addition, this set will include recordings made for his films, Metropolitan and Under Your Spell, as well as selections from his Packard and Chesterfield radio broadcasts never before available on compact disc. The booklet will contain many rare photos and a comprehensive essay by author and critic Conrad Osborne on Tibbett’s life, career, and recorded legacy." - Eine detaillierte Inhaltsübersicht liegt für Sie bereit - limitierte Auflage zum Sonderpreis

Anselmi, Giuseppe (1876-1929) - The Complete Recordings - The charismatic lyric tenor Giuseppe Anselmi (1876–1929) was idolized in Madrid, Warsaw, Buenos Aires, and Saint Petersburg during the first decade of the 20th century. He sang with success at Covent Garden and La Scala at a time when his competition was Caruso, Zenatello, Bonci, and Giorgini. Understanding the power of recordings to publicize a singer’s voice, Anselmi recorded prolifically for Fonotipia from 1907–1910 (both operatic and song repertoire) and in 1913 for Edison. His records include some of his own compositions, as well as some pieces of unusual repertoire for the time, so some of the records are quite scarce for this reason. Also an accomplished violinist, Anselmi composed in his spare time and after he ended his career in 1918 he devoted his time to teaching and composition until his untimely death from pneumonia in 1929, at fifty-two. Upon his death his heart was removed from his body and sent to Madrid’s Teatro Real, the theater of his greatest successes - Eine Inhaltsübersicht liegt für Sie bereit

Pareto, Graziella (Sopran) - The Complete Graziella Pareto & 8 Selected Recordings of Elvira de Hidalgo, two of which were electrically recorded in Athens in 1933 - Kommentar von Marston: Pareto was an incomparable artist and we are proud to release all thirty-six sides she made. VÖ: Februar 2023

Kempff, Wilhelm - Complete Acoustical Recordings Berlin, 1923-1925 - Eine detaillierte Inhaltsübersicht liegt für Sie bereit - Bach, J.S.: Das Wohltemperierte Klavier I (Auszüge 1923), Italienisches Konzert BWV 971 (Presto 1923), Bach-Kempff: Sinfonia aus Kantate BWV 29, Siciienne aus BWV 1031 (1924), Gluck-Brahms: Gavotte aus Iphigenie en Aulide (1924), Beethoven: Klaviersonaten Nr.8, 12, 14, 21, 23, 26, 27, 28, Bagatelle op.33 Nr.5, Rondo op.51 Nr.2, Klavierkonzert Nr.1 (Orchester der Berliner Staatsoper, Dirigent unbekannt - 1925), Mendelssohn: Scherzo op.16 Nr.2, Lieder ohne Worte op.102 Nr.5 & 6, Schumann: Toccata op.7, Brahms: Rhapsodie op.119 Nr.4 (1924) -VÖ: Voraussichtlich Januar 2023

Spani, Hina (Sopran) - The complete Recordings - Un ballo in maschera, Aida, cavalleria rusticana, Manon Lescaut, Tosca, Madame Butterfly, Andrea Chenier, Wilhelm Tell, Lohengrin, Faust, Il Trovatore, Otello, Manon, I Pagliacci, La Boheme, la Wally, La forza del destino, I Lombardi & Lieder

Boninsegna, Celestina (Sopran) - The Complete Celestina Boninsegna (1877–1947) was one of the most prolifically-recorded sopranos of the early twentieth century. Yet it was not her stage career which convinced recording executives to produce her records, but her “phonogenic” voice that created the demand. Boninsegna’s recordings are stunning, making her one of the most collectible sopranos of her time. She managed to overcome the limitations of the acoustic recording studio and leave us records that have some of the presence of live recordings from the stage. According to Fred Gaisberg, the impresario for the Gramophone Company, Boninsegna’s “voice was so smooth and velvety and of such even registers that recording was no effort; the results obtained were always thoroughly musical and therefore gave intense pleasure. Those harsh places expected in any record by a dramatic soprano were conspicuous by their absence.” Over the past fifty years there have been no comprehensive LP or CD reissues of Boninsegna’s records. We now pay homage to Boninsegna by reissuing all of her recordings in this five-CD set, which will include several extremely rare photos, complete discographic information, and an informative essay by Michael Aspinall on her career and recordings. Detaillierte Inhaltsangaben liegen für Sie bereit. Die Box können Sie bereits jetzt bestellen.

Janssen, Herbert (Bariton) - Portrait of a Mastersinger - The present collection includes all his surviving pre-war studio recordings of opera and operetta (except for the 1930 Columbia Tannhäuser); all of Janssen’s surviving 78 rpm Lieder recordings, including several previously unpublished items; and rare broadcast material that appears here together for the first time. The set includes liner notes by Iain Miller and Michael Aspinall, as well as a large selection of rare photos. As a portrait of one of the greatest baritones on records, this six-CD set of Herbert Janssen is the most complete yet to appear - Eine detaillierte Inhaltsübersicht ist verfügbar

Luboshutz-Nemenoff - The Art of Duo-Piano Playing - This 4-CD set contains Pierre Luboshutz and Genia Nemenoff’s RCA Victor recordings and selections from their LP discs: Mozart’s Sonata K.448, Brahms’s Haydn Variations, Schumann’s Andante and Variations, op.46, Milhaud’s Scaramouche Suite, and many transcriptions and arrangements. Also included are live performances of Bach and Mozart concerti with Serge Koussevitzky and the Boston Symphony Orchestra, as well as Harl McDonald’s Two Piano Concerto with the Philadelphia Orchestra conducted by the composer. Notes are written by Thomas Wolf, the grandson of Lea Luboshutz and the grandnephew of Pierre and Genia. Thomas’s recollections of the time spent with his great aunt and uncle provide a unique glimpse into the people who comprised one of the greatest of piano duos. Eine detaillierte Inhaltsübersicht liegt für Sie bereit.

British Tenors - A Survey of British Tenors Before Peter Pears - Aufnahmen mit Dan Beddoe, Webster Booth, Tom Burke, Joseph Cheetham, John Coates, Sydney Coltham, Ben Davies, Tudor Davies, Hubert Eisdell, Gervase Elwes, Walter Glynne, William Green, John Harrison, Gregory Hast, Ruby Helder, Joseph Hislop, Walter Hyde, James Johnston, Hirwen Jones, Arthur Jordan, Morgan Kingston, Edward Lloyd, John McCormack, Frank Mullings, Heddle Nash, Joseph O’Mara, Charles Saunders, Herbert Teale, Frank Titterton, Henry Wendon, Walter Widdop, and Evan Williams - There was a style of tenor singing in the early days of recording that was peculiarly British. It began we can suppose with tenors of the 18th and 19th centuries who did not record, such as Charles Dibdin, John Braham and Sims Reeves, and carried on more or less until the end of the 78rpm era by British tenors who did record until the model for singing tenor in Britain became Peter Pears, whose singing was not really like any of his predecessors. This CD set celebrates the historic and wonderful recordings made by those earlier tenors. They sound old-fashioned because no-one singing today sounds like them. They also sang and recorded a repertory of English songs and opera arias infrequently performed today. Although some of them recorded songs and arias in foreign languages, we have intentionally limited this set to songs, operatic arias and oratorio arias originally sung in English. As Shaw wrote in 1891 in his review of the farewell concert of Sims Reeves, the public was losing the greatest tenor in England and perhaps the greatest tenor in the world. This set is intended to allow us to imagine what a Sims Reeves concert might have been like - Eine echte Rarität - verfügbar voraussichtlich ab Oktober 2020

Nineteenth-Century French Baritones, Volume 1 - Léon Melchissédec, Jean Lassalle, Max Bouvet, and Maurice Renaud - This compilation is one of our most important releases not only for the rarity of the recordings but more importantly for the understanding of French style displayed by these singers. We hope to follow this with a second baritone volume devoted to Lucien Fugère, 1848-1936, and Gabriel Soulacroix, 1854-1905

Lhevinne, Josef (Klavier) - The complete Josef Lhevinne - Tschaikowsky: Klavierkonzert Nr.1 (Worchester Festival Orchestra, Albert Stoessel - 06.10.1936 - die ersten 4 Minuten wurden nicht aufgezeichnet) & 2. und 3.Satz (NBC Concert Orchestra, Rosario Bourdon), Trepak op.72, Rachmaninoff: Preludes op.23 Nr.10, Beethoven-Busoni: Ecossaises, Schumann-Tausig: El Contrabandista, J.Strauss/Schulz-Evler: Arabesques über Themen "An der schönen blauen Donau", Schumann: Toccata, Schumann-Liszt: Frühlingsnacht, Chopin: Etüden op.10 Nr.11, op.25 Nr.6 (2 Versionen), Nr.10 & Nr.11 (2 Versionen), Preludes op.28 Nr.16 (2 Versionen) & Nr.17 (2 Versionen), Polonaise op.53 (2 Versionen), Debussy-Ravel: Fetes (Nocturne Nr.2), Mozart: Sonate für 2 Klaviere KV 448 (mit Rosina Lhevinne - 2 Versionen, Klavierkonzert Nr.7 KV 242 (New York PO, Barbirolli), Brahms: Klavierquintett (mit Perolé String Quartet) - AD:1920-1945 - VÖ:Februar 2021

Schöne, Lotte - The Complete Lotte Schöne - Lotte Schöne’s records are highly prized, especially her acoustic discs. This set contains all of her known recordings for Vox, Odeon, and the Gramophone Company, including six unpublished Odeon sides made just before the company’s conversion from the acoustic to the electric recording process, and four unpublished Gramophone Company sides of Hugo Wolf songs recorded in 1934. The set concludes with a delightful group of non-commercial discs made for her family, and a substantial offering of German and French songs recorded late in her career for French and German Radio in 1948 and 1950. This is the first time that Lotte Schöne’s complete extant recordings can be heard in one compilation. The booklet includes rare photos, an evaluation of Schöne’s recordings by Michael Aspinall, and a personal essay by the noted French author, André Tubeuf, written in English especially for this Marston Records release. - VÖ:Juli 2020

Foster, Sidney (Klavier) - Rediscovering an American Master - Tschaikowsky: Klavierkonzert Nr.1 (Utah SO, Abravanel, 1966), Beethoven: Klavierkonzert Nr.3 (New York PO, Barbirolli, 1941), Werke von Bach/Liszt, Mendelssohn, Schumann: Carnaval, Klavierkonzert a-moll, Chopin: Klaviersonaten Nr.2 & 3 u.a., Liszt, Scriabin: Etüden, Klaviersonate Nr.2, Weber, Mozart: Klaviersonate Nr.5 KV 283, Beethoven: Klaviersonaten Nr.21 & 31, Liszt: Klaviersonate h-moll, Brahms: Klaviersonate Nr.3, 4 Balladen, Franck, Moszkowski, Rachmaninoff: Klaviersonate Nr.2, Prokofieff: Klaviersonate Nr.2, Visions fugitives u.a., Paderewski, Bach-Liszt, Hummel, Debussy, Joio: Klaviersonate Nr.3, Bartok: Klavierkonzert Nr.3 (Boston SO, Copland, 1965), Debussy u.a. - eine detaillierter Inhaltsübersicht mit interessanten Detail-Informationen auf 13 Seiten (in engl.Sprache) senden wir Ihnen auf Wunsch gern zu (auch per e-mail).

Landmarks of Recorded Pianism, Vol. 2 - Moritz Rosenthal - Liszt: Ungarische Rhapsodie Nr.1 & 2, Percy Grainger - Bach: Toccata und Fuge in d BWV 565, Grainger: Scotch Strathspey and reel, Irish Tune from Country Derry - Federico Mompou - spielt eigene Werke, Ignaz Friedman - Chopin: Polonaise op.53, Mazurka op.7 Nr.1, Polonaise op.posth., Prelude op.28 Nr.15, Mendelssohn: Lieder ohne Worte op.67 Nr.4, Frank LaForge - Gottschalk: Pasquinade, Rosita Renard - Monteverdi-Alderoghi: Madrigal, Debussy: Feux d'artifice, Reah Sadowsky - Liapunov: Transcendental Etüde op.11 Nr.10, Mark Hambourg - Tschaikowsky: Klavierkonzert Nr.1 (BBC SO, Malcolm Sargent, 1955), Arnold Dolmetsch - Beethoven: Klaviersonate Nr.14, Etelka Freund - Beethoven: Klaviersonate Nr.23, Grace Castagnetta - Castagnetta: Improvisation on four notes

Lehmann, Lotte - Odeon Electrical Recordings 1927 - 1933 - Auszüge aus Tannhäuser, Lohengrin, Die Walküre, Isoldes Liebestod, Ariadne auf Naxos, Arabella, Der Freischütz, Fidelio, Figaros Hochzeit, Mignon, Die Fledermaus & Lieder von Schubert, Schumann, Brahms & Strauss u.a. mit Booklet - eine ausführliche Inhaltsübersicht liegt für Sie bereit

McCormack, John: A Patrician Artist - Complete Electrical Recordings: 1925-1942 and All Extant Broadcasts, and Complete Early Recordings 1904 and 1906 - Eine tracking list senden wir Ihnen gern zu

Lehmann, Lotte - The Complete Acoustic Recordings - in her roles Sieglinde, Elsa, Eva, and the Marschallin & Mozart, including three duets with baritone Heinrich Schlusnus, as well as arias by Weber, Lortzing, and Nicolai. Although she sings in German, you can hear French opera arias from La Juive, Faust, Mignon, Carmen, Tales of Hoffmann, and Manon. From Italian opera, we hear the Willow Song from Otello and Puccini arias from Manon Lescaut, La Bohème, Tosca, Butterfly, and two rare recordings from Suor Angelica. Other highlights include Lehmann's recording of Tatyana's Letter Scene from Eugene Onegin, an aria from d'Albert's Die toten Augen, and the exquisite aria and duet from Korngold's Die tote Stadt with tenor Richard Tauber

MAHLER: Sinfonie Nr.2 (Blu-spec CD) - Wiebke Lehmkuhl, Nikola Hillebrand, MDR-Rundfunkchor Leipzig, Sinfonieorchester Basel, Markus Poschner (AD:2025) - VÖ:10.04.2026 - lim.Sonderpreis solange der Vorrat reicht, danach 19,99 EUR

HÄNDEL: Ariodante - Eine Produktion der Salzburger Festspiele 2017, Regie: Christof Loy - mit Cecilia Bartoli, Sandrine Piau, Rolando Villazon, Nathan Berg, Kathryn Lewek, Salzburger Bachchor, Les Musiciens du Prince, Gianluca Capuano (AD:2018) - Laufzeit: 216 Min., Tonformat: stereo / DTS 5.1, Bild: 16:9 (NTSC), Untertitel: Italienisch, Englisch, Deutsch, Französisch, Koreanisch, Japanisch - auch als Blu-ray Disc lieferbar, Prfeis: 29,75 EUR - VÖ:21.05.2021 - Restexemplare zum lim.Sonderpreis

Landmarks of Recorded Pianism, Vol.1 - This release features a collection of what might be called piano orphans: commercial and non-commercial recordings of great pianists that simply have never found their way onto compact disc. Among these treasures are fifteen minutes of Dinu Lipatti playing Scarlatti and Brahms that have only recently surfaced; an unpublished disc of Alfred Cortot playing the “Russian Dance” from Petroushka; and previously unpublished excerpts of the Tchaikovsky first piano concerto played by Vladimir Horowitz with the Philadelphia Orchestra, recorded during a 1932 concert conducted by Fritz Reiner and recorded as an experiment by the Bell Telephone Laboratory. This is Horowitz's earliest known concert performance and is in amazing sound for that time. It is unfortunate that the entire concerto was not recorded, but hearing these excerpts will be a revelation for Horowitz fans. Also included are live concerto performances by Lev Puishnov and Guiomar Novaes. We feel certain that piano enthusiasts worldwide will treasure this 2-CD set as nothing like it has been heard since Gregor Benko produced his acclaimed Landmarks of Recorded Pianism LP forty years ago