Marston records (USA)

MASSÉ, Victor: Galathée mit André Gresse, Alex Jouvin, Albert Vaguet, Jane Morlet, Émile Archainbaudite dirigiert (AD:1912) & Les noces de Jeannette - mit Ninon Vallin, Léon Ponzio Laurent Halet dirigiert & Interpretationen von Massé mit Georgette Bréjean-Silver, Suzanne Brohly, Rose Heilbronner u.a.

MASSÉ: Galathée mit André Gresse, Alex Jouvin, Albert Vaguet, Jane Morlet, Emile Archainbaudite (AD:1912) & Les Noces de Jeannette mit Ninon Vallin, Leon Ponzio, Laurent Halet (AD:1922) - lim.Auflage von 1000 Stück

McCormack, John: A Patrician Artist - Complete Electrical Recordings: 1925-1942 and All Extant Broadcasts, and Complete Early Recordings 1904 and 1906 - Eine tracking list senden wir Ihnen gern zu

Meyerbeer on record - Aufnahmen in frz.Sprache 1899-1913 - Auszüge aus Robert le diable, Les Huguenots, Le Prophete - mit Affre, Clement, Destinn, Escalais, Hempel, Jadlowker, Journet, Slezak, Alvarez, Metzger, Plancon, Ober, Kittel, Schmedes, Schumann-Heink, Lilli Lehmann, Mantelli, Smirnov u.v.a. - lim.Auflage von 1000 Stück

Meyerbeer on Record Vol. 2 - Auszüge aus L’étoile du nord, Le pardon de Ploërmel (Dinorah), und L’Africaine (AD:1899-1925) - Lieferzeit ca. 2-4 Wochen

Nineteenth-Century French Baritones, Volume 1 - Léon Melchissédec, Jean Lassalle, Max Bouvet, and Maurice Renaud - This compilation is one of our most important releases not only for the rarity of the recordings but more importantly for the understanding of French style displayed by these singers. We hope to follow this with a second baritone volume devoted to Lucien Fugère, 1848-1936, and Gabriel Soulacroix, 1854-1905

Nineteenth-Century Italian Tenors - Fiorello Giraud, Giovanni de Negri, Francesco Signorini, Leopoldo Signoretti, Eduardo Garbin, Alfonso Arulli, and Fernando Valero - Fiorello Giraudite (1868 - 1928) had a highly successful career throughout Italy and parts of South America and was well-respected both in Wagnerian and verismo roles. He will be remembered For creating the role of Canio (Pagliacci). His strong, vibrant voice was first captured on eight very rare G&T records. In 1916 and 1917, he recorded an additional 12 sides For Italian HMV, all song titles. This compilation will include all 20 of his published sides. Giovanni Batista de Negri (1850 - 1923) was particularly associated with the role of Otello, toured throughout Italy, and had a career that was cut short (1896) due to a series of operations For an unmentioned "malady." In 1902, however, he recorded For the Zonophone company, forever leaving his mark. Francesco Signorini (1860 - 1927) achieved success singing Turiddu (Cavalleria rusticana) in Florence in 1890; appeared at La Scala in 1897; and appeared in San Francisco, Los Angeles, and South America in 1907. He gave up singing in 1910 to teach in Rome. His HMV recordings are very rare, including the scenes from Chatterton, which were issued on an early Marston release. Leopoldo Signoretti's birth date ranges from 1840 to 1850, the former seeming more plausible. His earliest traced performances were in Il barbiere di Siviglia at the Teatro Solis, Montevideo in May 1875. In 1884 he went to Bologna For Tannhäuser and the world premiere of Isora di Provenza by Luigi Mancinelli. At Madrid, in the 1884-1885 season he sang La Gioconda, Faust, Aida, L’Africana, Lucia di Lammermoor (with Sembrich and Battistini), Il principe di Viana (Manuel Fernandez Grajal), Il trovatore, Ernani, Un ballo in maschera, and Lohengrin. He recorded only five documented Zonophone sides, and in many ways, these are the most impressive of this quartet of early Italian tenors

Pareto, Graziella (Sopran) - The Complete Graziella Pareto & 8 Selected Recordings of Elvira de Hidalgo, two of which were electrically recorded in Athens in 1933 - Kommentar von Marston: Pareto was an incomparable artist and we are proud to release all thirty-six sides she made. VÖ: Februar 2023

Rachmaninoff Plays Symphonic Dances op.45 (Impromptu performance at the piano) - Newly Discovered, 21.Dec.1940 & Aufnahme mit New York Philharmonic, Dmitri Mitropoulos vom 20.12.1942 & Die Toteninsel op.29 mit dem Philadelphia Orchestra, Eugene Ormandy vom 02.04.1943, Sinfonie Nr.3 mit New York Philharmonic Orchestra, Dmitri Mitropoulos vom 21.12.1941 & Belilitsï rumyanitsï, vy moi (Powder and Paint - Russian folk song, arranged by Rachmaninoff) mit Nadezhda Plevitskaya & 3 Russische Lieder für Chor und Orchester op.41 mit Schola Cantorum, American Symphony Orchestra, Leopold Stokowski & Rhapsodie über ein Thema von Paganini op.43 mit Benno Moiseiwitsch, BBC Symphony Orchestra, Sir Adrian Boult vom 14.09.1946 & Polka italienne mit Sergej und Natalia Rachmaninoff & Russian folk song: Bublichki (Bagels), Brahms: Balladen op.10, Nr.2, Liszt: Ballade Nr.2 in B Minor vom 05.12.1931 & Rachmaninoff Demonstrates His Symphonic Dances, op.45 vom 21.12.1940 (reproduced from the original discs in the Eugene Ormandy Collection of Test Pressings and Private Recordings, 1930-1983) - eine detaillierter Inhaltsübersicht mit interessanten Detail-Informationen auf 15 Seiten (in engl.Sprache) senden wir Ihnen auf Wunsch gern zu (auch per e-mail).

Schaljapin, Feodor - The Complete Recordings - Eine detailierte Inhaltsübersicht mit Anmerkungen von Ward Marston auf 27 Seiten (in engl. Sprache) senden wir Ihnen gern kostenlos zu (auch per e-mail)

Schöne, Lotte - The Complete Lotte Schöne - Lotte Schöne’s records are highly prized, especially her acoustic discs. This set contains all of her known recordings for Vox, Odeon, and the Gramophone Company, including six unpublished Odeon sides made just before the company’s conversion from the acoustic to the electric recording process, and four unpublished Gramophone Company sides of Hugo Wolf songs recorded in 1934. The set concludes with a delightful group of non-commercial discs made for her family, and a substantial offering of German and French songs recorded late in her career for French and German Radio in 1948 and 1950. This is the first time that Lotte Schöne’s complete extant recordings can be heard in one compilation. The booklet includes rare photos, an evaluation of Schöne’s recordings by Michael Aspinall, and a personal essay by the noted French author, André Tubeuf, written in English especially for this Marston Records release. - VÖ:Juli 2020

Spani, Hina (Sopran) - The complete Recordings - Un ballo in maschera, Aida, cavalleria rusticana, Manon Lescaut, Tosca, Madame Butterfly, Andrea Chenier, Wilhelm Tell, Lohengrin, Faust, Il Trovatore, Otello, Manon, I Pagliacci, La Boheme, la Wally, La forza del destino, I Lombardi & Lieder

STRAUSS, R.: Der Rosenkavalier - Kipnis, Lemnitz, Hoerner, Krenn, Fleischer, Teatro Colon Buenos Aires, Fritz Busch & Appendix - Auszüge mit Kullman/Zweig, Kemp/Blech, Kipnis/Orthmann,Ursuleac, Berger, Lemnitz / Krauss

STRAUSS, R.: Lieder (Aufnahmen von 1901-1946) - gesungen von Frances Alda, Rosette Anday, Peter Anders, Giuseppe Anselmi, Katherine Arkandy, Florence Austral, Erna Berger, Emmy Bettendorf, David Bispham, Jussi Björling, Anton Dermota, Claire Dux, Florence Easton, Cloe Elmo, Ernestine Färber-Strasser, Elise Feinhals, Kirsten Flagstad, Elene Gerhardt, Dusolina Giannini, Karl Hammes, Frieda Hempel, Heinrich Hensel, Gerhard Hüsch, Robert Hutt, Hermann Jadlowker, Herbert Janssen, Sabine Kalter, Alexander Kipnis, Margarete Klose, Hilde Konetzni, Selma Kurz, Lotte Lehmann, Emmi Leisner, John McCormack, Heddle Nach, Margarethe Ober, Maria Olszewska, Julius Patzak, Rose Pauly, Lea Piltti, Alfred Poell, Elisabeth Rethberg, Marcella Roeseler, Helge Roswaenge, Lotte Schloss, Heinrich Schlusnus, Lotte Schöne, Friedrich Schorr, Elisabeth Schumann, Ernestine Schumann-Heink, Joseph Schwarz, Meta Seinemeyer, Leo Slezak, Grete Stückgold, Richard Tauber, Viorica Ursuleac, Marcel Wittrisch - eine ausführliche Übersicht mit allen Aufnahmedaten senden wir Ihnen gern zu.

Supervia, Conchita - Vol.3 - 1930-1932 - Carmen, Werther, Faust, La Boheme, Mignon, Samson & Dalila, 6 Parlophone recordings of English songs u.a.

Supervia, Conchita - Vol.4 - Odeon/Ultraphone 1932-1933 - Granados: Tonadillas, Lehar: Frasquita u.v.a. spanische Lieder

Supervia, Conchita -The Complete Vol.2 - Fonotipia/Odeon 1929-1930 - La Cenerentola, Mignon, Peer Gynt & Lieder

Supervia, Conchita -The Complete Vol.5 - After the publication of volume four, the “un-findable” tracks finally came to light. If their whereabouts had previously been known, they would have been included in their chronological position within the Supervia discography and there would be no need For a fifth volume. The fact that they have only recently been located, however, gives rise to the opportunity of presenting twelve alternative takes, not included in the first four volumes. As an appendix to the Conchita Supervia recordings, Marston is pleased to offer María Barrientos in her only electric recordings singing songs of Manuel de Falla with the composer at the piano

The Creators of Verismo - Gemma Bellincioni, Angelica Pandolfini, Amelita Pinto, Cesira Ferrani, Emma Carelli & Giordano: Siberia

The Dawn of the Recording - The Julius Block Cylinders - die einzig bekannten Recordings von Anton Arensky, Paul Pabst, Sergei Taneyev, Leo Conus, Jules Conus, Anna Essipova, Jan Hrimaly, Anatoly Brandukov, Elizaveta Lavrovskaya und Paul Juon & die frühesten Recordings von Josef Hofmann, Nikolai Figner, Eddy Brown und Egon Petri mit den ersten Einspielungen der Werke von Bach, Chopin, Mendelssohn, Schumann, Tchaikovsky, Wagner, Donizetti, Verdi, Bizet, and Arensky. This release, as with all of Marston's issues, will be a limited run